An important rediscovered figure in modern Indian art, Prof. Sanghal devoted his life to exploring Indian philosophy, spirituality, aesthetics, and emotional expression through the medium of wash painting. Deeply influenced by the Bengal School tradition, he studied under distinguished artists such as A.K. Haldar, who himself belonged to the lineage shaped by Abanindranath Tagore.

During his years in Prayagraj (Allahabad), Prof. Sukhvir Sanghal established an institute "Kala Bharti" that became a vibrant centre for artistic learning and creative exchange. During one of his visits to the studio on 12th August 1940, his mentor A.K. Haldar recorded a heartfelt testimonial in the visitors’ book, reflecting both admiration and encouragement for his former student’s artistic journey. In his note, Prof. Haldar wrote:

This testimonial remains an important reflection of the artistic bond between mentor and disciple, while also offering a rare glimpse into the early recognition of Prof. Sanghal’s talent, vision, and dedication toward Indian art traditions.

A few days befor e the passing of Abanindranath Tagore in Kolkata in 1951, Prof. Sukhvir Sanghal had the opportunity to meet the great master. Years later, before the passing of his mentor A.K. Haldar in Lucknow in 1964, he again shared a deeply emotional final interaction with him. Both masters entrusted Prof. Sanghal with the same message:

This message became a lifelong inspiration behind his artistic journey and dedication toward Indian aesthetics, wash painting, and the philosophy of rasa.

While rooted in the Bengal School tradition, Prof. Sanghal gradually evolved a highly personal artistic language. His paintings moved beyond decorative romanticism and became profound meditations on human emotions, Indian philosophy, mythology, and the inner journey of life. His works frequently explored themes such as love, devotion, longing, spirituality, sacrifice, feminine grace, and metaphysical reflection. A defining characteristic of Prof. Sanghal’s paintings is his deep engagement with the Indian concept of rasa. In Indian aesthetics, rasa refers to the emotional essence or spiritual mood experienced by the viewer through artistic expression. Prof. Sanghal adapted the wash painting technique not merely as a visual method, but as a medium capable of conveying subtle emotional states and philosophical ideas. Through translucent colours, rhythmic compositions, and lyrical forms, he transformed wash painting into an instrument of emotional and spiritual communication.

During his practice over the years his style also took inspiration from Ajanta, Mughal style and some Western principles. He believed that art was not merely an object of visual pleasure but a path toward inner refinement and cultural consciousness. In recent years, renewed efforts have been undertaken to preserve and reintroduce his artistic legacy through exhibitions, publications, archival initiatives, documentaries, and educational outreach. These efforts have contributed to a growing recognition of Prof. Sanghal as an important voice within the extended legacy of the Bengal School and Indian wash painting traditions. Today, as interest in rediscovering overlooked modern Indian masters continues to grow, the works of Prof. Sukhvir Sanghal stand as an enduring testament to the philosophical depth and emotional richness of Indian art. His paintings not only preserve the spirit of the Bengal School tradition but also expand it through a deeply personal exploration of rasa, spirituality, and human experience.